ANIMA Vs ANIMUS until 16 December 2021 Gallery 25, Perth Western Australia

 If you have missed the opening of Anima vs. Animus at Gallery25 ECU, come to visit Tues to Friday, 10am-4pm until 16 December.

G25: Building 10, 2 Bradford St, Mount Lawley.

ACCESS BY CENTRAL AV. INSTEAD IT IS MUCH EASIER…

With Nathan Beard, Janet Carter, Theo Costantino, Ryan Nazzari and myself.

This event is supported by the Department of Local Government Sport and Cultural Industries and ECU Galleries

ANIMA Vs ANIMUS Collective exhibition curated by Christophe Canato, Gallery 25, Western Australia - Opening 18 Nov 2021

Christophe canato first exhibition as a curator. Opening 18 November, Gallery25 ECU, all welcome.

With Nathan Beard, Theo Costantino, Janet Carter, Ryan Nazzari and Christophe Canato. Catalogue essay Travis Blair Kelleher. More to be announced soon.

This event is supported by the Department of Local Government Sport and Cultural Industries and ECU galleries.

Sincer thanks to Henry Boston OAM, Board Director and Consultant. Vice President, Alliance Française de Perth and to Sandy Murray Art Curator and Consultant. In preparation of the exhibition particular thanks to Gwenael Le Seignoux .

2021 Invitation Art Prize catalogue

FINALIST 2021 INVITATION ART PRIZE / JOONDALUP Western Australia / OCTOBER 2021

Invitation Art Prize 2021 - Overall Prize $25,000 (acquisitive). The Invitation Art Prize is acknowledged as one of WA's major contemporary visual art prizes for professional artists. From 10th Oct to 24 Oct 2021 - Westfield Whitford City. Amy Barrett-Lennard, Director at Perth Institute of Contemporary Arts, was the arts industry selector who shortlisted the 30 artists taking part. Annette Peterson, Bjoern Rainer-Adamson, Britt Mikkelsen, Bruce and Nicole Slatter, Bruno Booth, Caspar Fairhall, Christophe Canato, Desmond Mah, Di Cubitt, Dushong, Elmari Steyn, Fiona Gavino, Harrison See, Jessee Lee Johns, Jurek Wybraniec, Kelsey Ashe, Kieron Broadhurst, Leanne Bray, Lindsay Harris, Liz Gray, Lucille Martin, Mandy White, Marla Bishop, Nathan Beard, Ron Nyisztor, Ross Potter, Shaun Wake-Mazey, Susanna Castleden and Toni Wilkinson. For more information email visualarts@joondalup.wa.gov.au or call 9400 4924.

© MALAPROPISM 2021, Christophe Canato

Finalist 2021 Bowness Photography Prize / Monash Gallery of Art, Victoria / September 2021

Over the last 16 years, the Bowness Photography Prize has emerged as an important annual survey of contemporary photographic practice in Australia and one of the most prestigious prizes in the country. Monash Gallery of Art (Victoria) invited artists to submit still photo-based media including analogue and digital photography created over the last year for consideration. The winning work will be awarded $30,000 and will be acquired into MGA’s nationally significant collection of Australian photographs. The Smith & Singer People’s Choice Award will be voted by the public with the recipient receiving $5,000. The MGA Foundation recognises the importance of supporting practicing artists, and the positive impact the $30,000 prize money for both the winner and the $5,000 Smith & Singer People’s Choice Award will have on the recipients. Congratulations to the following finalists: Leith Alexander, Svetlana Bailey, Kate Ballis, Lauren Bamford, Gabrielle Bates, Tom Blachford, Paul Blackmore, Christophe Canato, Danica Chappell, Benjamin Cole, Nici Cumpston, Tamara Dean, Marian Drew, Jo Duck, Liss Fenwick, Silvi Glattauer, Richard Glover, Rebecca Griffiths, Joanne Handley, Jesse Harvey, Ponch Hawkes, Joseph Häxan, Petrina Hicks, Edi Ivancic, Angelique Joy, Tony Kearney, Ingvar Kenne, Shea Kirk, Honey Long and Prue Stent, Paula Mahoney, Harry McAlpine, Joseph McGlennon, Rod McNicol, Danie Mellor, Hayley Millar Baker, Mark Mohell, Lillian O'Neil, Meredith O'Shea, Ashley Perry, Patrick Pound, Ruiqi Qiu, Tonina Ryan, Amber Schmidt, Jessica Schwientek, Christopher Sheils, Melissa Spiccia, Ali Tahayori, Christian Thompson, Angela Tiatia, James Tylor, Justine Varga, Amy Woodward

PRAGMA: Perils & Passions / Lost Eden Creative Gallery / 7 August - 5 September 2021

Art in Conversation | Christophe Canato, Pablo Hughes and Caroline Lunel Location Bunbury Regional Art Gallery Saturday 05 June 2021, 02:00pm - 03:00pm

Join "Bunbury Biennale He | She | They" exhibition curator, Caroline Lunel and artists, Christophe Canato and Pablo Hughes for a discussion on gender and creative practice. This exhibition presents among the most extensive surveys of contemporary art about gender in Western Australia to date. 37 WA artists explore the theme with performance, painting, photography, sculpture, video and more. The exhibition explores notions of inclusion and diversity, celebrating the heterogeneity of gender within Western Australian culture and community. This talk marks our final public program for this exciting exhibition. Please register your attendance here: https://www.eventbrite.com.au/.../art-in-conversation... Saturday 5 June | 2pm - 3pm | Free entry | All ages welcome! | Bunbury Regional Art Gallery To find out more including access information please contact BRAG Education Officer, Amber Norrish: (08) 9792 7321 or anorrish@bunbury.wa.gov.au Image courtesy of artist, Christophe Canato.

Artist Talk, He l She l They exhibition, 5th May 2021, Bunbury Regional Art Gallery, Western Australia

https://www.facebook.com/christophe.canato/posts/4236417986408424

If you are around go to visit He/She/they, an amazing exhibition about gender identity including 37 talented artists. To name a few, Gera Woltjer, Carla Adams, Nathan Beard, Janet Carter , Olga Cironis , Penny Coss , Mel Dare , Tania Ferrier, Dan Gladden, Brent Harrison, Pablo Hughes, Meredith Jackson, Andrew Nicholls, Ron Nyisztor, Annette Grace Peterson and much more.

The night was opened by the energetic and friendly Colin Walker.

Thank you to Bunbury team, Caro Lunel , Amber Norrish, Dan.

 

Finalist - EXHIBITION OPENING FRI 28 MAY | 6:30PM | Exhibitions run Sat 29 May — Sun 18 July

EXHIBITION OPENING FRI 28 MAY | 6:30PM | FREE ENTRY DJ | Bar open | Woodfired pizza Exhibitions run Sat 29 May — Sun 18 July RSVP by Wed 26 May via email or Facebook The Fremantle Arts Centre Print Award is Australia’s most prestigious, longest running print prize. Now in its 45th year, the FAC Print Award presents a diverse selection of prints and artist books from emerging, established and crossdisciplinary artists, offering a true picture of the state of contemporary Australian printmaking. Join us on opening night to find out who has been selected as this year’s winner. As Australia’s richest print prize, the winner will take home $16,000 and their work will be acquired for the City of Fremantle Art Collection, the largest municipal collection in WA. Second prize receives $6,000. Judging Panel Felicity Johnston: Curator and Director of Art Collective WA Lia McKnight: Australian artist and curator based in Waylyup/Fremantle, Curator of the Curtin University Art Collection and previous exhibiting artist at Fremantle Art Centre Rachael Salmon-Lomas: Printmaking lecturer and technician at Curtin University, WA and previous Fremantle Arts Centre Print Award finalist 2021 Artists Peter Burgess (NSW) | Christophe Canato (WA) | Susanna Castleden (WA) | Seong Cho (NSW) | Jazmina Cininas (VIC) | Jennifer Cochrane (WA) | Damien Dillon (NSW) | Alice Nampitjinpa Dixon (NT) | Rainer Doecke (QLD) | Lesley Duxbury (VIC) | Linda Fardoe (WA) | Beth Ferialdi (WA) | Danielle Freakley (WA) | Joel Gailer (VIC) | Liam Garstang (NSW) | Pascale Giorgi (WA) | Lee Harrop (NT) | Nathalie Hartog-Gautier (NSW) | Melissa Harvey (NSW) | Jan Hogan (TAS) | Lucas Ihlein (NSW) | Locust Jones (NSW) | Alison Kennedy (VIC) | Elizabeth Knuckey (WA) | Hiroshi Kobayashi (WA) | Helen Kocis Edwards (VIC) | Pip Lewi + Paul Sutherland (WA) | Judith Martinez Estrada (NSW) | Maxxi Minaxi May (WA) | Dan McCabe (WA) | Megan McPherson (VIC) | Tim Meakins (WA) | Andrew Nicholls (WA) | Brighde O’Hara (WA) | Daniel O’Shane (QLD) | Izabela Pluta (NSW) | Yvonne ReesPagh (TAS) | Harrison Riekie (WA) | Brian Robinson (QLD) | Sarah Robinson (WA) | The Usual Collective Safam Adir, Georgette Grosse, Benjamin Ori (NSW) | John Prince Siddon (WA) | Valerie Sparks (VIC) | Anne Starling (NSW) | Elmari Steyn (WA) | Justin Trendall (NSW) | Ailsa Waddell (WA) | Bridie Weaver (WA) | Cleo Wilkinson (QLD) | Duncan Wright (WA) | Nina Wright (WA)

Finalist - 2021 MINNAWARRA ART AWARD | Exhibitions run 1st May — 16th May

Minnawarra Art Awards 2021 The new and improved Minnawarra Art Awards showcases some of Western Australia’s best artists, a number of which we are proud to say are local to the Armadale district! This year sees an increased prize pool and more targeted art awards to ensure this professionally curated exhibition provides viewers with a powerful show of high calibre and diverse artworks. As the centrepiece of the Armadale Arts Festival, the Art Awards offers an exciting public program including floor talks, Positive Ageing High Teas and Music in the Hall ensuring that it’s not just the arts lovers that are able to revel in this creative visual feast! Acquisition Awards $ 12,000 City of Armadale Art Award $ 3,000 Local Artist Award $ 3,000 Aboriginal Artist Award Non-Acquisition Awards $ 5,000 Gerry Gauntlet Award $ 2,000 Highly Commended

HE SHE THEY: Gender diversity encourages inclusion at Bunbury Biennale - writer Annette Peterson

ARTICLE HERE Artist's Chronicle March 23, 2021 ANNETTE PETERSON Bunbury Regional Art Galleries is celebrating its first-ever themed Bunbury Biennale: HE SHE THEY. The exhibition features works by 37 Western Australian contemporary artists, selected to consider gender and what it means to them in their art practice. Unified through photography, painting, sculpture, film, and performance, the exhibition displays diverse ideas investigating gender, identity, sexuality, and male, female, or more fluid perspectives. Caroline Lunel discusses her role as Curator, and how, for the first time since the Biennale’s 1993 inception, she has taken a new direction by adopting a theme. The Biennale was initially created to increase the City of Bunbury’s Art Collection. After curating the show five times over ten years, Lunel felt that she was ready for a new challenge to present a more cohesive exhibition. “We have an extensive exhibition schedule each year and a wide range of works in the collection for public access. Having a body of work addressing a particular theme makes for more interesting exhibitions,” she says. Lunel says the topic of gender was carefully contemplated. “Considering it is a hot topic in the arts nationally and internationally, to use it as a theme is timely,” she quips. “There is still so much to be explored on many levels.” She added it was appropriate to call the exhibition HE SHE THEY, given the coincidence of the opening date with International Women’s day and the Sydney Mardi Gras. Artists were personally invited to be part of the Biennale to ensure an inclusive representation of gender backgrounds, such as cis-gender, queer and non-binary or gender fluid. Lunel says she was satisfied with the selection of artists exploring the gender theme using various media, including performance art. “There is a wonderful richness in subject matter,” she observes, “but also a beautiful vulnerability and personal expression in some of the works which isn’t always present in other exhibitions.” Vital to the success of the exhibition was providing a safe environment for artists to address the topic and to be able to express themselves freely. “As we are still learning and discovering about who we are, HE SHE THEY presents a beautiful celebration of humanity and freedom of expression,” says Lunel. The outcome, is a wide variety of interpretations of the theme, from exploring the ambiguity of gender identity and fluidity; to honouring feminism articulated through visual, tactile and written forms. Lunel notes other artworks question stereotypes and gender conformity, investigate archetypes, the positioning of gender, gender in nature, and the consequence of cultural conditioning. Some art dives even deeper into the analysis and decoding of gender philosophy and psychology. Lunel says she was aware many artists felt challenged by the theme but affirms that all delivered beautiful and unique art. When asked which of the artworks stood out to her personally, Lunel said it was Stuart Elliott’s works which touched her most deeply. “It was not surprising,” she clarifies, “His interpretation is broad, in-depth, intelligent, articulate, very witty and very funny, but also exquisitely executed.” Lunel said the acquisitive artworks chosen for the City of Bunbury Art collection correlated to how well the artists addressed the theme and how well the artworks diversify and complement the existing collection. A total of nine artists had works acquired by the City of Bunbury’s Art Collection: Susan Starcken, Andrew Nicholls, Stuart Elliott, Janet Carter, Nathan Beard, Tania Ferrier, Christophe Canato, Sam Huxtable and Carla Adams. When asked why Bunbury was the first regional city to embrace such subject matter, Lunel says it is because they were brave and bold. “We are a regional gallery committed to presenting exciting and inspiring exhibitions to the South-West,” Lunel says. HE SHE THEY extends to a broad audience and ensures the show has content resonating with everyone. Yet, she says, the gallery’s role is to engage, stimulate and encourage new ways of thinking and perceiving the contemporary world. She admits the exhibition will challenge the audience and generate discussion. “Biennale events are generally known to present provocative and controversial exhibitions.” Not surprisingly, Lunel says the exhibition reaches out not only visually but emotionally. “I hope these works may touch people a little deeper and provide a sense of excitement to be alive at this age in time,” she declares. “Art is such an accessible way to build community and provide a sense of belonging and place-making. I do hope it will encourage especially the local South West LGBTQIA community to come and view the exhibition.” Given HE SHE THEY’s success, the question remains, would Lunel and the team choose this theme again for the next Biennale in 2023? Lunel says that they already know what that could be, but they were not giving that away just yet… The show continues until June 6, with ongoing artist workshops, Curator tours and artist talks.

Luxembourg Art Prize 2020

2020 BOTANIC ART PRIZE, 2 November 2020 - 1 January 2021. Gallery 125, York Western Australia

BANKSIA MAN (110cm x 110cm) is inspired by the 1918 published Australian author May Gibbs. It is the adventures of Snugglepot and Cuddlepie and their troubles with the villains of the stories; the Banksia Men, modelled on the appearance of aged Banksia "cones", with follicles for eyes and other facial features. But I am proposing a contemporary version of the Banksia Man where the follicles became part of the man body, the leaves will be placed such as a super hero/villain mask and hairy flowers of the Banksia specimen are completing a fiction decor.

2020 BOTANIC ART PRIZE, 2 November 2020 - 1 January 2021. Gallery 125, York Western Australia

Banksia Man, Christophe Canato’s work is inspired by the 1918 published adventures of Snugglepot and Cuddlepieby Australian author May Gibbs.

 

The central story arc concerns Snugglepot and Cuddlepie and their adventures along with troubles and the villains of the stories; the Banksia Men.

 

In the original series of books the villains "big bad" Banksia Men are modelled on the appearance of aged Banksia "cones", with follicles for eyes and other facial features. But Christophe Canato is proposing a contemporary version with his Banksia Man where the follicles became part of the man body, the leaves will be placed such as a super hero/villain mask and hairy flowers of the Banksia specimen are completing a fiction decor. 

 

To reinforce the notion between fantasy and real, Canato uses multiple layers of photographs to deliver a final image more or less fuzzy, evanescent as in a dream. The powdery colours bring a feeling of serenity and softness to the disturbing character.

 

ANIMA - Perth Centre For Photography, 26 September - 07 November 2020

 ANIMA. The inner feminine side of a man.

 

Christophe Canato has made his name in France, Australia and Singapore as a photo-media artist. His work examines male roles and identities in our contemporary western contexts. Canato is interested about exploring social issues such as politics and religion, including physical identities and sexual orientations.What questions this artist is the notion of belonging or rejection and the status that man is supposed to hold in society. 

 

Canato’s new work Anima is an immersive, polychromatic photographic series that is exploring the inner feminine side of the man.

 

The Anima is both a personal complex and an archetypalthat expresses the fact that man psychehas a minority of feminine qualities according to psychologist Carl Jung (26 July 1875 - 6 June 1961). It is an unconscious factor incarnated anew in every male child and is responsible for the mechanism of projection. The Anima versus Animus are described by Jung as part of his theory of theCollective unconscious.In every man there is a woman and in every woman a masculine side, her Animus.

 

On the other hand, one of the factors that the artist likes to take into account in his research is the colour of the skin. But this time Canato is interested in the extraordinary character of the imaginary skin colours such as blue, green, red or white although making references to codes recognizable by all. To name a few Krishna or Shiva as part of the Indian divinities and in another register James Cameron’s fiction Avatar.

 

 

Biography

 

Born in France, Christophe Canato undertook postgraduate studies in Grenoble and Paris, where he continued to live and work before moving to Perth Australia in 2005. His work has been exhibited in more than fifty solo and collective exhibitions including the National Portrait Gallery in Canberra. Multiple prize winner Christophe Canato’s photographs are also included in public collections such as Artbank Australian Federal Government collection. His series are published internationally in France, England, Australia including the Chinese magazine Photoworld with a eight page publication, March 2020.

SPRING, mentoring program for visual artists

SPRING MENTORING FOR VISUAL ARTISTS
With Christophe Canato
APPLY HERE: artsource.typeform.com/to/MiWYYnrH

Christophe is a French-Australian photographer and photomedia artist based in Perth since 2005, having graduated from the Beaux-Arts in France. Over the past 25 years, he has extensively exhibited with more than 17 solo exhibitions and about 40 collective shows in Australia, France and Singapore. His work has won multiple prizes and awards such as Minawarra Art Award WA, International Photographic Award USA, Jeune creation Fr. One of his photographs is currently on show at the National Portrait Gallery of Canberra. His work is included in Artbank, Australian Federal Government collection, St John of God collection, Joondalup City Council collection, City of Wanneroo collection including La Sacem and Business & Decision French collections. Christophe was a board member of Art On The Move from 2015 until 2019. Christophe is also an experienced commercial photographer including extensive collaborations within the visual art and performing art sectors with organisations such as Art Gallery of Western Australia, PICA, Lawrence Wilson Art Gallery, Artsource, DADAA, WAPPA, Strut Dance and Ausdance. He also documented multiple individual artist artworks.

Christophe will meet with artists for up to 8hrs over a three-month period to mentor on developing new projects and career adaptation. The partnership will evolve across the following areas:
Establishing the relationship - getting to know and learning from each other
Setting the direction - how Christophe as a mentor will be able to help you progress
Progression - reflection, adjustment and accomplishment
Winding up - what is next in your respective careers
Moving on - remain as colleagues in the visual art sector.

APPLY HERE: artsource.typeform.com/to/MiWYYnrH

More information about mentoring: artsource.net.au/mentoring
More information about Christophe: christophecanato.com

@deptlgsc @lotterywest @artsourcewa@christophecanato @fluxgalleryperth#artmentor #westernaustralia #art#waart #madeinwa #contemporaryart#springartsmentoring#christophecanato 

Eight pages publication in the Chinese magazine PHOTOWORLD n°459 - 2020/March

English version accessible soon

Artist Talk, 2019 National Photographic Portrait Prize finalist