Tuesday, December 19, 2006
CORPUS EMULSION / ARTRAGE Festival Oct.27 - Nov.5 2006
Corpus Emulsion is an extract of twelve years photographic research, showing for the very first time. A global dance portraits featuring some of the world’s leading companies as seen through the lens of a visionary photographer, Christophe Canato.
Scarrily beautiful.
Experience Christophe Canato’s unique vision of contemporary dance practice at the close of the millennium in these dynamic subtly poignant works.
This body of work represents over a decade of commitment to photographic exploration of the body, its wrap, its tensions and the diversity of emotion these are capable of portraying.
Subjects include: Angelin Prejlocaj, Bernardot Montet, Carolyne Carlson, Catherine Berbessou, Claude Brumachon, Jan Fabre, Pina Bausch, Sankai Juku, Rui Horta, Susanne linke, Jean-Claude Gallotta, Merce Cunningham, Odile Duboc.
Dynamically evocative and subtly poignant, the exhibition of these works is not to be missed.
Monday, December 18, 2006
Tuesday, October 24, 2006
Sunday, January 15, 2006
"pièces à conviction" (evidences) / FOTOFREO fringe 2006
What is the importance we give to the objects and what are the reasons?
“evidences” is a photographic inventory of my own object, their provenance, their sentimental value and sometime their description location in the living place.
“When I have been proposed to carry out an exhibition in this flat, I found the idea attractive but I couldn’t adapt myself to the place. I found it austere, it wasn’t on my own image.
I had to imagine myself to be in these walls and immediately I linked with my references objects, my world, a window open to the outside.”
Friday, September 30, 2005
Tuesday, June 2, 1998
Saturday, May 2, 1998
"NO MAN'S LAND" autoportrait / La SACEM Private Art Collection
"From the earliest years of my youth I had had the notion that every person has his own no man’s land, a domain that is his and his alone. The life everyone sees is one thing; the other belongs to the individual, and it is none of anyone else’s business. By that in no way do I mean to imply that, from an ethical standpoint, one is moral and the other one amoral, or, from that of the police, one licit and the other illicite. But man lives at intervals unchecked, in freedom and in private, alone or with someone, be it for an hour a day, an evening a week, or a day a month; he lives for that private, free life of his from one evening (or day) to the next: those hours exist in a continuum.
Those hours either complement something in his visible life or else possess some independent significance. They may be a joy or a necessity, or habit, but they are crucial to demarcating any sort of “general line”. If a man does not exercise this right of his, or if because of extenuating circumstances this right is denied him, he will one day wake up to find that he has never really found himself, and there is something depressing in that. I feel sorry for people who are alone only in the bathroom, never anywhere else.
An inquisition or a totalitarian state, incidentally, can never allow this second life, which eludes any and every control. It is no accident that they arrange people’s lives in such a way that the only solitude permitted is that of the bathroom. Barracks and prisons often lack even that.
In this no man’s land, when a man lives in freedom and private, strange things can happen: kindred souls can each other; a book can be read and understood especially keenly, music heard in some special way. In the quiet and solitude a thought might occur that changes a man’s life, ruins or saves him. Perhaps in this no man’s land people cry, or drink, or think about something no one else knows, or they examine their bare feet, or thy try to find a new place for parting on their balding head, or they leaf through a picture magazine of half-naked beauties and muscle-men – I don’t know, and I don’t want to know. In childhood and even in adolescence (and in old age as well) we don’t always feel the need for that other life. Nonetheless, it’s wrong to think of that other life, that no man’s land as a luxury, and everything else as normal. That’s not where the diving line falls. It falls along the line of absolute privacy and absolute freedom."
Extract : "the revolt", Nina Berberova- Act Sud Edition
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